He sounds unshackled, both by the idea of sales and critical hype, and the overall product is a sonically improved, captivating one. Drake legitimately sounds like he’s having fun for once, and the songs carry that same kinetic energy from start to finish. What’s also interesting is that this project, much like If You’re Reading This It’s Too Late, works because the pressure seems to be off of the Toronto emcee. However, it seems more plausible that the playlist concept is a way of placing himself in a win-win scenario if the project succeeds, he can take credit for its ingenuity and sound, and if it fails he and his team can claim it’s purpose should be nothing more than a glorified mixtape just so fans had new music of his to play. One could make the argument that the use of the term playlist works in the sense that Drake manages to create something for everyone on this project, pulling from, mostly, all the best elements of his career so far and churning out legitimate hit songs one right after the other. Inversely, More Life sounds and flows better as what should be an album, yet it’s been termed as a playlist instead.
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It was a project fans had waited literally years for, and Drake delivered a 90-minute album full of mixtape tracks. It was bloated, uninspired, over-hyped, and just plain boring. To put it mildly, Views, Drake’s fourth studio album, was bad. What’s most interesting about the concept of a “playlist” is the idea that maybe Drake chose to call it that in order to remove himself from an overwhelming dose of criticism if the project hadn’t worked.
More Life is basically an album, not a playlistĪlthough labeled as a “playlist”, a listener of this project should treat it as an album because it flows as one. More Life is a project worth dissecting from multiple angles because, frankly, it’s important, Drake as an artist is important, and the road with which he’s chosen to travel down after this record matters not only for his career but for Hip-Hop in general, so here we go… 1.
A lot of things happened on this record some great, some not, and some that leave even the casual listener genuinely interested in what he plans to do next. What’s interesting about More Life, Drake’s brand new “playlist”, is that it doesn’t seem very interested in swaying you either way, and that’s why it works. Is he a genuine hit maker who is still searching for the muse that will bring about his masterpiece, or is he an artist of smoke and mirrors more interested in people liking his music than actually thinking about it? Yes. He’s easily the most disliked, relatable, cringe-worthy, electric, overrated, magnificent rapper the genre may have ever seen, and his music only works if you choose to use the previous descriptions together and never separately. For as polarizing as his music can be at times, he is still the arguably one of, if not the biggest, pop stars on the planet and mostly everyone is guaranteed to tune in to voice their opinion. When Drake releases music, people care that much is clear. By Matt Wilhite 5 years ago Follow Tweetĭrake’s new album “More Life” sees the recording artist with more potential than ever as both a rapper and a pop star.